Terminal

What happens when humanity takes over nature? Photographer Yana Lozeva travels to the forgotten island of Adata and finds a dystopian landscape.

Photography Yana Lozeva


A landscape seen in portraits.

The lost island of Adata, Plovdiv, can barely be seen in the pictures – just as it is barely noticed by the city. The nature: culture ratio has been overturned; nature has become a small spot on the map, a blind spot. The place where people used to go on family picnics is now abandoned, surrounded by the city, run over by the bridgeway. It has lost the blooming optimism of the word “island” as a synonym of “oasis”, a safe ground in a sea of trouble. In another version of the present Adata would be an island where nature starts to rewrite the Robinson story, starting anew.



“To get here you have to step down, to descend.”



Adata, hell. To get here you have to step down, to descend. In our own version of the present the island has a light but pervasive post-apocalyptic aroma. The territories reclaimed by nature do not become automatically a virgin forest. Under all that verdure you can step on a discarded bottle of household chemicals – or an animal bone. When you’re under the bridge, you are defenceless against anything that might be thrown from above. And though life may be bubbling all around you, you don’t feel peaceful, you don’t feel restored to the prehuman garden of beginnings; you feel fear. And guilt.


In Terminal, you will see the island through its impact on several human faces. We cannot know what it is in itself; what we have it’s the shadow casting upon us. According to some schools of psychoanalysis, a “shadow” is the side of our consciousness that remains eternally invisible but also eternal in the power it has over us. The blind spot, the wounded place. How are we affected by a world where nature is a weak, prematurely defeated parent? Are we expecting retribution – or somehow hoping it will come our way?

Adata, hell, is a play about an edenic garden that will never be the same. Because we have been there.



“A ‘shadow’ is the side of our consciousness that remains eternally invisible but also eternal in the power.”



About Yana

Yana Lozeva (1989) lives and works in Sofia, Bulgaria. Her main interest is in the presence and absence of people.

To see more of her work, visit her website or follow her on Instagram


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Light of hand

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The Devils