COVER STORIES
Latest on ZERO.NINE
Meteor Ghosts
In Meteor Ghosts, photographer Florian Luthi revisits a little-known 1954 UFO case in the Jura, tracing how a children’s story evolved into local folklore and international sensation. Blending archival research, documentary photography, and staged imagery, the project explores the fragile space between testimony and invention across the mist-covered landscapes of the French-Swiss border.
En suspens – regards d'une jeunesse
This collaborative fine-art photography project by Romane Bladou, explores teenage life in rural southern France. Photographed with a large-format camera, it captures the liminal energy of adolescence, the waiting, the ardour, the quiet act of claiming space. A portrait of a territory seen through its youngest inhabitants' eyes.
3 Minutes read
I Hope Your Family is Safe
Anya Tsaruk’s project “I Hope Your Family Is Safe” is named after a phrase she has heard many times since Russia launched a full-scale invasion of Ukraine – words meant to comfort, but that feel uncertain and hard to answer. Her work explores what ‘safety’ really means in a country at war.
Los Amigos Invisibles – The Enduring Rhythm
For more than thirty years, Los Amigos Invisibles have crafted a sound where funk, Latin rhythms, disco and house collide with effortless groove. Born in Caracas and embraced worldwide, the band remains a singular bridge between live musicianship and club culture.
7 Minutes read
In case you missed it
Castle in the Clouds
Photographer Lenny Steinhauer explores the fragile afterlife of a modernist social utopia that still functions today. The Ihme-Zentrum in Hanover is a brutalist structure caught between decay and persistence, revealing how a seemingly hopeless architectural vision is sustained by the people who continue to inhabit and give meaning to it.
Banks Violette – When Loss Becomes Art
A fire glows behind the glass of TICK TACK in Antwerp, poised between comfort and destruction. It feels like a signal between welcoming yet alarming, stopping passersby in their tracks. From the darkness, a backwards sign reads The End, marking the threshold of Wish You Were Here, the recent exhibition by Banks Violette, curated by Maria Abramenko.