Las flores mueren (The flowers die)

PHOTOGRAPHY

Apr 18

Fine art photographer Karla Guerrero uses her family archive imagery to create still lifes about the women in her family. With her work she reflects on her own time growing up as a woman and finding her identity.

Text and Photography Karla Guerrero

Each season the flowers die, as a poetic act of a cycle referring to a visual aesthetic of the transitory. Recognising the fleeting nature serves me as a metaphor to develop this project, in which the uncertainty of life is combined with the thoughts that have been inherited in the women of my family.

Through still lifes, I make an intervention and appropriation of the projected objects within the home space. At the same time, I use my family archive (as an object) with an emphasis on highlighting postures, traits, indices, that the women of my family have left established. With these images, I try to reflect on the transience of growing up as a woman; femininity, identity, family, while I find symbols of the brevity and transience of life.

“Through still lifes, I make an intervention and appropriation of the projected objects within the home space.”

About Karla

Karla Guerrero (b. 1993, Mexico City) is a fine art photographer working with concepts such as the transient and the absent; memory, loss, and void. Her work has been exhibited across Europe, USA, UK, and Mexico. Recently, she was selected by Artpil as one of the ‘30 under 30 women photographers.

Since 2017 Guerrero has participated in an international scene with greater scope and representation of contemporary photography as a jury, curator, and portfolio reviewer. She is the founder and director of Femgrafía, women photographers in Latin America and Spain, founder and editor of Enigmazine, a platform for contemporary photography.

To see more of her work, visit her website or follow her on Instagram

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Las flores mueren (The flowers die)

Fine art photographer Karla Guerrero uses her family archive imagery to create still lifes about the women in her family. With her work she reflects on her own time growing up as a woman and finding her identity.

“Through still lifes, I make an intervention and appropriation of the projected objects within the home space.”

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