Photographer Mike Spears created the zine Souvenirs, a series of irreverent photographic metaphors, romanticising desire, flesh, and comedy. His images reveal the unexpected beauty and humour woven into the fabric of life, inviting you to see the world through a lens that celebrates the quirky and profound.

Photographer Alberto Tandoi walked 400 km across London capturing fleeting moments with strangers, portraying the city as what would be his ideal city. Through hundreds of portraits, he reveals the beauty of self-expression and the unique stories of unconventional individuals.

Our very own JC Verona, photographer and co-founder of ZERO.NINE travelled to his hometown Béjar in Spain to create a series about the unique tradition of local men covering their bodies in moss. Dating back to medieval times, the Moss-Men symbolise a profound connection with nature and highlight the importance of preserving local traditions. We spoke to him in an exclusive interview to find out more about the project that has been on his mind for years.

Marco Vernaschi’s mesmerising series MACONDO delves into the complexities of existence along the Magdalena River amidst an exceptionally challenging climatic backdrop, entwining the essence of Colombian magical realism with the resilience of its inhabitants.

Meet Jonathan Castillo, a visionary photographer whose work transcends boundaries and celebrates the essence of the American dream. With a keen focus on immigrant entrepreneurship and the vibrant tapestry of local communities, his series illuminates the often overlooked pillars of the American economy.

Photographer and filmmaker Lorna Carmichael travelled to Cuba to document the impacts of the enduring US embargo. Upon her arrival, she discovered that local Cubans also yearn for a bygone era, prompting her to create the photo story 'I got a sparrow' to encapsulate these sentiments.

With his ongoing series ‘I Have Nothing’, Lagos-based photographer Ebenezer Okike documents Nigeria's new generation, delving into emerging stereotypes and desires. The resulting images feel very personal and intimate, capturing details and scenes of daily life in Nigeria. 

The present humanitarian crisis in East Africa leaves many individuals displaced by the severe impact of climate change. Photographer Felicity McCabe visited Somaliland to document the ephemeral existence of the refugees and the distinctive architecture of their camps.

The series ‘Imagined Images’ consists of 136 images, all generated with the help of AI. Visual artist Maria Mavropoulou created these images to recall unphotographed memories, moments she imagined or has been told that happened. With her work, she asks: What is the use of a photograph?

Photographer Mickey Aloisio’s first solo exhibition just opened at Marlborough in NYC. "You Go Ahead—I'll Watch" features his interdisciplinary art using various analogue media and other alternative technologies. The exhibition includes work from his series "Lunch Break" and "Morning Dew," exploring transgressive narratives, queer navigation and intimate moments. Drawing inspiration from Laud Humphreys' controversial 1970s text Tearoom Trade, Aloisio examines consent, manipulation and deception in human relationships. The showcased works include archival pigment prints, cyanotypes and the video installation "Channel 17".

French photographer Romain Coudrier went to the Artic Circle in search of one of the greatest civilisations, the Vikings. He found a mix of vast nature and isolated spaces under the domination of mass consumption.

With “Marungka tjalatjunu (Dipped in black)”, photographer Matthew Thorne documents the poignant journey of Derik Lynch, a queer Yankunytjatjara man, as he embarks on a road trip back to his ancestral country for spiritual healing. This autobiographical series explores Derik's memories of growing up in a remote Anangu community, delving into the profound intersections of his identity across four cultural worlds – whitefella, blackfella, Christian, and Queer.

Inspired by the bright and crisp light of the East Coast, British photographer Owen Davies, captured his new home New York City in a new and fascinating way. Brutalist structures and buildings stand like timeless monuments against the bright sky creating an eerie scenery completely absent of any human presence.